Thursday, June 7, 2012

The War Zone (1999)

Prima facie, “The War Zone” comes across as a misnomer for this brutally disturbing drama directed by Tim Roth. This reviewer thought it is set against the backdrop of a war, but when the film unfolded, the underlying meaning of the title became clearer; the only war this film deals with is a personal war; a war within!

15-year old Tom (Freddie Cunliffe) is the hero of this sad story. His family, consisting of 18 year old sister Jessie (Lara Belmont), Dad (Ray Winstone), and Mum (A bloated Tilda Swinton) have moved to the Devonshire countryside to live on an isolated property, leaving their London city life behind. Tom is bored and feels lonely, clearly misses London. There hardly are neighbours; the area is mostly desolate. Pregnant mum just delivers a baby amidst difficult circumstances (a car accident!) and yet the baby is born healthy. Everyone is slightly injured, but in the end it’s all hunky dory and life goes on. The isolation and modest living conditions have also made these people used to casual nudity around the house. Tom is a curious teen, and he seems to have taken fancy to a neighbouring girl, Lucy (Kate Ashfeld).

The seemingly peaceful environment in the family is disrupted one day when Tom comes face to face with a shattering truth about an incestuous relationship between his Dad and sister…

But haven't we seen so many other films that deal with incest? Maybe so, but what makes "The War Zone" distinct, is in its non-adherence to rendering simplistic treatment to its characters. These characters are complex, they aren't necessarily pigeon-holed to predictable traits. So then, when we witness the dynamics of these characters we are forced to ask ourselves several questions. The dad seems to be a really nice and loving father. Why then, does he develop the sick desire to sexually abuse his own daughter? Is he even aware of what he is doing? Is he aware of the gravity of his heinous act? Or is it rather casual to him; ....perhaps he himself has a history of abuse dating back to his childhood?

And then there's Jessie; she is well aware of the implications of the deeds she is involving herself in. Or is she? Maybe she is going along with it, maybe she is enjoying it. Or perhaps suffering (?) silently, because she is too afraid to bring it out in the open; maybe just too ashamed. And the mother is blissfully unaware of what is happening....will she be able to take it once she realizes?
Which brings us to Tom, who is at the epicenter of this explosive situation. It is actually through his eyes that we see the film. You can't help but yield to a hint somewhere in the middle of the film that there's a curious voyeur inside him who wants to videotape the action. And you wish deep within that it is only to expose the sick act. But it can't be ignored that Tom is a 15 year old teen struggling with his own transition into adulthood. And call it a case of bad timing; fate is playing a cruel joke on the boy by invoking the adult inside this vulnerable teen by bringing him face to face with the most aberrant of sexual acts inside his own home! At a point of time the sister almost hits the nail on the head after a confrontation, "This isn't just about me and dad is it?" further insinuating that actually Tom wants to know about sex and himself wants to experience it!

Tom is thus, a soul torn apart. Maybe he knows the difference between right and wrong but is finding himself succumbing to a perverse temptation, given his unstable transition phase! Jessie tries to put her assumption about Tom to the test in a bizarre episode at her friend Carol's place in London; then again, perhaps her intentions are different altogether! Her eventual action further clouds any hopes the viewer may have about gaining an insight on Jessie's thought process. It is in this unpredictability of the characters that most of the success of this excellent handling of a fine screenplay by Alexander Stuart lies. Tim Roth, a fine actor of our time, proves that he can handle the director's job with an equal finesse. He clearly understands his characters' complexities and his vision of the characters' personae enables him to deliver their perfect transition to the motion picture.

The soul is all there, but what about the body? No complaints there either; Roth captures some of the finest images of the isolated, rain-soaked country side and the rocky seashore. The feeling of desolation is further enhanced by the achingly beautiful score by Simon Boswell. The choice of actors is spot on. Winstone and Swinton are simply great in their respective roles. But special mention must be made of the actors who play the siblings, Lara Belmont and Freddie Cunliffe who had no prior acting experience but emerge winners with their effortless performances.

Do not miss Tim Roth's "The War Zone". It is a disturbing look at something as warped as incest but a patient and an open-minded viewing would ensure that instead of turning your head away in shame, you'll end up thanking yourself for subjecting yourself to this mind-numbing yet rewarding film experience.

Score: 9/10

1 comment:

  1. What the fuck!? This is making me uncomfortable. Precisely why I want to see it. Nice to see that we're drawn to the same kind of movies. x)