Okwe (Chiwetel Ejiofor) is a Nigerian illegal
immigrant in London. This brooding man drives a taxi by day and works as
a porter at a plush hotel in London by night. He supposedly never
sleeps and chews on some kind of leaves to keep himself awake. He is a
kind man; popular and well-loved amongst fellow immigrants who live a
hand-to-mouth existence in the city doing odd jobs as custodians,
cleaners, cooks, cabbies. Okwe also helps out his friends and other poor
immigrants with their ailments; apparently he has some history working
as a doctor in his home country!
Okwe
has an arrangement with another illegal immigrant, a shy, Turkish woman
named Senay (Audrey Tautou), wherein he uses her couch in her small
room to catch a few winks during morning time when she reports to work
in the same hotel he works in. He also likes Senay and she likes him but
nothing has been said yet. Senay is too reserved and shy and fears the
neighbours. She does not want to attract unwanted attention, especially
from nosey gossipers! Any wrong move can lead to her deportation; the
immigration officials are already harassing her.
A
dramatic change of events occurs one day and it sets off a series of
episodes that threaten to change the lives of Okwe and Senay forever. A
prostitute Juliette (Sophie Okonedo) asks Okwe to check a room she has
been in. Okwe inspects the room and finds that the toilet bowl is
blocked and overflowing. He is shocked to discover that the cause of
the blockage is a human heart stuck in the pipes! The Spanish night
manager Senor “Sneaky” Juan (Sergi Lopez) seems to be well aware and
tries to bribe Okwe to keep his mouth shut. Okwe gradually discovers
that there is something sinister and “dirty” beneath the “pretty” hotel
exterior.
“Dirty
Pretty Things” is a tale about dreams. It is about those countless
immigrants who dream of making a better living in a rich, developed
country; of having the kind of life and freedom they could never have in
their home countries. It is about how they would give their eye and teeth to have a legal
status! Survival is on the knife’s edge as is the case for
any illegal immigrant in a big city, who wants to ‘escape’ to paradise. Steven Knight’s screenplay is refreshingly original, barring
some minor clichéd characterization and blatant racial stereotyping
which prove to be the glitches in an otherwise superb work of writing
(It was nominated for an Academy Award for Best Original Screenplay).
Stephen Frears turns Knight’s script into an intriguing thriller, that’s
also a gut-wrenchingly potent drama centered around illegal
immigrants in London.
The
story is told in a crisp fashion with some beautiful cinematography and
commendable shot composition, and the preliminary scenario is
established rather quickly but doesn’t seem hurried or forced in any
way. It hardly takes any time for the plot to take off which works in
the film’s favour. The character of Okwe quickly strikes a chord with
the audiences, with most of the first few minutes revolving around him
and his deeds. What doesn’t work is how most characters (including Okwe,
to some extent) are instantly recognizable as either “good” or “bad” or
“kind” or “unkind” and don’t deviate from these traits of theirs! Okwe,
for example, is shown to be such an impossibly noble and kind soul that
you can’t possibly think he can harm anyone. On the other hand there’s
'Sneaky' Juan, who is like the ultimate personification of 'slimy', staring you in the face! Some lines
of dialog including some oozing racial stereotyping are just too
blatantly rude to be taken seriously.
And
then there are some character clichés like the helpful buddy (Guo, an
Asian man who works at the hospital mortuary), the hooker with a heart
of gold (Juliette), Senay’s fat and horny old immigrant employer (Barber
Ali, a sweatshop foreman) who not-surprisingly asks her for sexual
favours in return for not revealing her identity or whereabouts to the
hot on the trail immigration officials.. ! Hand it to the filmmaker and
the actors though, that despite these clichés, the viewer ultimately
ends up rooting for them anyway! Audrey Tautou is in fact miscast as a
Turkish woman, and although one really wonders why someone from Turkey
would have to go through all the tough ordeals to secure a status for
themselves in London, she delivers a kind of performance that you can’t
overlook and can’t help but applaud. Senay’s predicament and her dealing
with the whole situation is pulled off in a sincere effort by Tautou.
Ditto for Sergi Lopez as the crooked hotel manager who has something
dirty up his sleeve. The guy is despicable to say the least and portrays
his one-dimensional character in an extremely convincing manner.
But
the big winner in the performances department is of course, Chiwetel
Ejiofor, as Okwe. His character is written in a manner which will surely
evoke great empathy. Ejiofor makes the character his own and steals the
show from right under everyone’s noses with a fabulous performance and
manages to instantly connect with the viewer. He is a helpful, kind,
selfless man but you very much know that he has a great sadness about
him. It is a brilliant portrayal of a tortured soul; an epitome of
self-sacrifice.
It
is worthwhile to check out Stephen Frears’ “Dirty Pretty Things”. While
it may not be perfect, it is a fine work of cinema that is gripping
as well as emotionally affecting and will keep you hooked ‘til
it reaches its bittersweet conclusion.
Score: 8/10.






No comments:
Post a Comment