Writers-directors Luis Piedrahita and Rodrigo
Sopena were clearly inspired when they made this neat low-budget 'Math
thriller', as I like to call it. "Fermat’s Room" reminded me of three
films: Darren Aronofsky’s "Pi", Vincenzo Natali’s underrated Canadian
thriller "Cube" and James Wan’s cult thriller "Saw". At the same time it
also reminded me of some of Hitchcock’s work!
That said, this film scores because it is a classic case of inspiration and is not a rip-off.
The
film is literally an interesting puzzle box for puzzle geeks or Math
geeks. A math genius who calls himself 'Fermat' sends out a math riddle
to various mathematicians and scientists around and adds a message that
only those who manage to crack the puzzle would get to share a grand
dinner at a gathering with other true geniuses. At this dinner, Fermat
would interest all these bright people with 'one of the greatest enigmas
ever' that he has planned for them to solve. Only four people manage to
crack Fermat’s code and end up at the place of the
meeting following the cryptic clues laid out for them. The real names of
these people are never revealed; they are given pseudonyms by Fermat;
all these pseudonyms being names of former mathematicians!
Once
at the venue they discover that the very room they are in IS in fact
the enigma…..it is a meticulously designed 'shrinking room' that is
slowly closing in on them. The only way to escape being crushed by the
walls and preventing the room from becoming their tomb is by solving
some puzzles sent to them on a sole PDA that has been given to them. The
PDA is connected to the system that controls the shrinking! Solving
each puzzle correctly in the stipulated time would prevent the house
from shrinking and only then would they be able to save themselves!
Although
somewhat far-fetched, the premise is definitely refreshing and "Fermat’s Room" is packed with all the essential ingredients of a
typical claustrophobic thriller of this sort. There is the paranoia, the
lack of trust, the nervousness, the constant feeling that it is
anything but a coincidence that the four people were brought there
together. Sure, it does ring a bell and we have seen a few thrillers of
this sort before. What wins this film more points is the ingenious idea
of a shrinking room, and
the breathtaking manner in which the effects of the same have been
achieved with a minimal set design and almost no reliance on special
makeup effects or gratuitous violence and gore. The entire film relies
on human emotions and reactions, and of course, the highly intriguing
puzzles set out for the guests by their mysterious host. At a time when
they can hardly think straight with death staring in their faces, our
guests are subjected to some brain-racking math problems that would
prove to be the ultimate test of their abilities as they are forced to
perform in a 'pressure' situation (pun intended)! We find ourselves
struggling to find the solution as we watch our primary characters
racing against time to get to the bottom of each riddle. Of course, you
have to be a lover of logic puzzles to find this little part
interesting! The filmmakers, perhaps, deliberately refrain from
including hardcore math puzzles (involving theorems and numbers) so as
to reach a wider audience.
It
was imperative to have actors who could pull off a film relying on
everything else so minimal and hence an apt choice of actors comprising
of Lluís Homar (terrific actor; has worked with Pedro Almodovar), Santi
Millán, Federico Luppi (a favourite of Guillermo Del Toro), Alejo Sauras
and Elena Ballesteros. The guys are all do good; however the sole
female actor in this venture is the weakest of the lot as she appears
almost stoic in the worst of situations! It is uncertain whether the
directors wished that, or whether Elena is wooden in the first place;
nonetheless, hers is the weakest performance in the film.
The
film manages to hold our attention fairly well with its taut screenplay
and a good amount of twists thrown our way in the final half hour.
Maybe it’s just me, but too many twists sometimes lead to the undoing of
an otherwise satisfying story. The twists in "Fermat’s Room" border on
the brilliant as well as contrived. Thus, a couple of those several
surprises, while surely manage to catch us unawares, still seem slightly
forced! Add to that a very convenient finale designed as a perfect
wrap-up device that is, again, slightly less impressive.
In
spite of the shortcomings, "Fermat’s Room" is a thoroughly enjoyable
and engrossing thriller and deserves credit for being one of the better
low budget films of the genre.
Recommended….quite certainly.
Score: 7.5/10



My comment at Rotten Tomatoes. Nice site, Aditya. What do you think of the white type on black background? I use it, too, but I wonder if people find it easy to read.
ReplyDeleteThank you...I don't doubt that it is not very straining on the eyes.
ReplyDeleteThanks for commenting. What is your sign in name on RT?
His sign in name is GrouchyEditor. The white on black is a greatly known format and very easy to read. Oh, and good review
ReplyDelete